SIDE ONE

Landscapes in Alternative History (Reid)
Frisell: Roland 300 guitar synth
Reid: Steinberger guitar, Roland 700 guitar synth, guitar synth MIDI to Korg Poly 800 synth, revisionist DX drums

Size 10 ½ Sneaks (Frisell)
Frisell: prepared acoustic guitar, Gibson electronic guitar, downhome DX drums
Reid: six-string banjo

Amarillo, Barbados (Frisell)
Frisell: Roland 300 guitar synth
Reid: Washburn electric-acoustic guitar

Last Night in Paris (Reid)
Frisell: Ovation acoustic guitar
Reid: six-string banjo

Burden of Dreams (Reid)
Reid: Roland 700 guitar synth, MIDI to Korg Poly 800 synth (solo recorded live with no over-dubs)

SIDE TWO

Dark Skin (Reid)
Frisell: Roland 300 guitar synth
Reid: Les Paul electric guitar, Roland 700 guitar synth, techno-tribal DX drums

Fr, Fr, Frisell (Frisell)
Frisell: Roland 300 guitar synth, electro-harmonix delay (solo recorded live with no over-dubs)

Small Hands (Frisell)
Frisell: Roland 300 guitar synth
Reid: Roland 700 guitar synth, MIDI to Korg Poly 800

Black Light (Frisell)
Frisell: Roland 300 guitar synth, electro-harmonix delay, doom-oriented DX drums
Reid: Stratocaster electric guitar

Produced by David Breskin

Engineered & Co – Produced by Ron Saint Germain

Compositions by Frisell, Friz-Tone Music; by Reid, Dare to Dream Music

Mixed January 1985 at Quadrasonic Studio, New York City
Format: Studer 24 track analog to Nakamichi digital master

Assistant Engineers: Lee Friedman, John Juliano, Jr.
Post Production: Joe Gastwirt
Album Design: Claus Peter Baüerle, Christin Schindler
Photography: Emily Mann and David Breskin
Cover Artwork: Kelly Smith Spalding