Booklet Credits Nate Wooley: trumpet and amplifier Samara Lubelski, C. Spencer Yeh: violins Chris Corsano, Ben Hall, Ryan Sawyer: drums Susan Alcorn: pedal steel guitar Julien Desprez, Ava Mendoza: electric […]

Credits Eric Revis Bass Kris Davis Piano Bill McHenry Tenor Saxophone Darius Jones Alto Saxophone Chad Taylor Drums, Mbira Justin Faulkner Drums on Tracks 1 and 3 1 Baby Renfro […]

Credits Kyoko Kitamura voice Michael Mayo voice, looper Raquel Acevedo Klein voice Steven Hrycelak vocal bass Kari Francis vocal percussion Cory Smythe piano, electronics Many muddled accelerations shape this: beginning […]

Artist Statement by Kris Davis Liner Notes by David R. Adler Credits 1. DIATOM RIBBONS 6:20 JD Allen Tenor Saxophone Tony Malaby Tenor Saxophone Trevor Dunn Acoustic Bass Val Jeanty […]

Credits Recorded September 2013 Sear Sound, New York Released March 24, 2015 BAG Production Records / Royal Potato Family Carla Kihlstedt: Voice & Violin Ben Goldberg: B Flat & Contra […]

Credits Recorded August 9, 2010 New, Improved Recording, Oakland, CA Released September 16, 2014 SAZi Records/BAG Production John Dieterich: Guitars Ben Goldberg: Clarinet Scott Amendola: Drums Eli Crews: Engineer John […]

The Swing of Delight Columbia C236590 by Spottswood Erving Round, pure, golden, delicious: Santana’s guitar still sounds ripe for the picking, but that’s nothing new. Nor is his affiliation with […]

In Performance Elektra 9E-304 by Spottswood Erving At the start of the second disc of this live double LP, George Shultz, Oregon’s manager, asks the audience, “How do you like […]

“I’m such a lucky person. I don’t know how, but everything happens to me just as I want it to. What’s funny is I don’t even believe that some people […]

Nude Ants ECM- 2-1171 by Spottswood Erving The Place: a pie-shaped slice of basement in the Big Apple, where one can hear the 7th Avenue subway rumble by during breaks. […]

Monster Columbia JC 36415 By Spottswood Erving Another gruesome pop disc from Hancock. This one plods on (thump) and on (thump) and on (thwack) with the overproduced gusto of a […]

Defunkt Hannibal 1301 by Spottswood Erving These days, serious jazz cats who decide to play dance music are—take themselves to be—as rebellious and avant-garde as the ones who decided not […]